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 What was the last movie you saw? ; Good, bad, or indiffo

Post #221 - 16 Nov 2020, 22:58

An excruciating watch.

Brilliant, and free on Amazon Prime.

https://www.amazon.co.uk/Borat-Subseque ... B08K46Z4J7
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Post #222 - 08 Dec 2020, 23:54

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Definately not my sort of film, but I watched it on the recommendation of Snowdaughter, and the fact that parts of it are set in Lower Slaughter.

I ended up quite enjoying it. Probably because the end of the world was well done, and the great scenes of Lower Slaughter too. I love Lower Slaughter, the pub / manor there charges £7 a pint which angers the bus driving n'er do wells who visit and sends them away. :grin:
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Post #223 - 12 Dec 2020, 08:55

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Superb. A black black comedy, all the more black because it actually happened.
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Post #224 - 12 Dec 2020, 08:58

I will be watching this soon. I would love to see it live, but Spike Lee seems to have done a fantastic job with his film.

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Post #225 - 17 Dec 2020, 22:15

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Charming little low key indie porn filth. :heart:
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Post #226 - 29 Dec 2020, 21:43

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Timecrimes (Spanish: Los Cronocrímenes) is a 2007 Spanish science-fiction thriller film written by, directed by, and starring Nacho Vigalondo. The film stars Karra Elejalde as Héctor, a man who unwittingly becomes part of a time loop and must stop his other selves from continuing to exist. The film premiered at Fantastic Fest in Austin, Texas, in September 2007.

In the Spanish countryside, a middle-aged man named Héctor and his wife Clara live in a home that they are renovating. Héctor scans the forest behind their house with binoculars and sees a young woman take off her T-shirt, exposing her breasts. When his wife goes shopping, he investigates and finds the woman on the ground, naked and unconscious. He is stabbed in the arm by a mysterious man with pink bandages on his face. Fleeing and breaking into a mysterious nearby building, Héctor contacts a scientist by walkie-talkie, who warns him of the bandaged man and guides him to his location, promising safety. The scientist convinces Héctor to hide from the bandaged man, who is just outside, in a large mechanical device. However, when he leaves the machine, Héctor discovers that he has traveled approximately an hour back in time.

The scientist explains that the machine is an experimental time travel device, and refers to Héctor as "Héctor 2". The scientist tells him that they need to stay where they are and let events unfold. Despite the scientist's warning, Héctor 2 drives off in a car, passing a cyclist, only to be run off the road by a van, cutting his head, which he wraps using the bandage from his arm wound. The bandage turns pink from absorbing the blood. The cyclist approaches to see if he is all right – it is the woman he earlier saw in the forest. He proceeds to replicate events by making her undress in view of Héctor 1. When she runs away, he catches her, inadvertently knocking her out. He lays her out naked on the ground and then stabs Hector 1 in the arm when he arrives. The woman escapes. Héctor 2 returns to his home, where he hears a scream and chases a woman through his house and onto the roof. When he attempts to grab her, she slips and falls to her death. Seeing the body from the roof, Héctor 2 is horrified, believing he has killed his own wife.

Héctor contacts the scientist over a walkie-talkie and convinces him to lure Héctor's past self to the lab with warnings that he is being pursued. Driving to the lab, Héctor 2 insists that he must travel back one more time, despite the scientist revealing that there is a Héctor 3, who told him he must stop Héctor 2 from doing just that.

After removing his bandages, Héctor 2 convinces the scientist to send him back several seconds before he initially appears. He finds a van and runs Héctor 2 off the road, but crashes as well, knocking himself out. Upon waking, he informs the scientist he has failed to stop Héctor 2 by any means. He encounters the woman again, startling her into screaming, though she does not recognize him as her assailant. Since Héctor 2 has heard her scream, Héctor 3 and the woman flee to Héctor's house. They become separated. Héctor 3 finds and hides his wife, then realizes what has to happen / will happen / has already happened. He finds the woman, cuts her ponytail off, gives her his wife's coat, and tells her to hide upstairs. Héctor 2 chases her onto the roof. Héctor 3 sits on his lawn with his wife, as Héctor 2 accidentally kills the woman, then drives off – heading back to the lab to become Héctor 3. Emergency vehicles are heard approaching in the distance.


In the documentary Future Shock! The Story of 2000 AD Nacho Vigalondo credits 2000 AD comic magazine as the biggest influence on Timecrimes, particularly the Alan Moore and Dave Gibbons one-off "Chronocops" from #310 (1983).



The film's score was composed by Eugenio Mira. The film also uses the song "Picture This" by the American rock band Blondie, which director Vigalondo has stated he chose because he "love[s] the arrangement of the song and the chords. It's a happy song, but it's very sad and it's close to the movie".


On Rotten Tomatoes, the film holds an approval rating of 87% based on 70 reviews, with a weighted average rating of 7/10. The site's critical consensus reads, "Timecrimes is a low-budget thriller that's well-crafted and loaded with dark humor and bizarre twists."[5] The film also has a score of 68 out of 100 on Metacritic based on 15 critics indicating "generally favorable reviews."[6]

Jeannette Catsoulis of The New York Times noted the role of female frontal nudity and fast-paced action in making a time-travel film with no special effects. She praised writer/director Nacho Vigalondo's "audacity" in being able to create "urgency and disorientation from the thinnest of air" despite the film's low budget and lack of special effects.[7] Wesley Morris of The Boston Globe doubted whether Timecrimes actually makes sense but credited Vigalondo with making clever use of the time machine in order to allay the viewer's skepticism. Referring to the planned remake by director David Cronenberg, and alluding to Héctor's "human sequels", Morris concluded that Timecrimes "deserves a doppelganger".[8] In retrospective, A. A. Dowd of The A.V. Club interprets the film as an allegory about adultery, comparing Héctor's increasingly complex and confusing actions to those of someone lying to hide an affair.[


An English language remake was originally planned to happen with United Artists. However, the project never came into fruition and hit a deadline with no product. In 2011, the project was moved to DreamWorks with Steve Zaillian planned to write and produce.



Enjoyable, not sure whether I feel perplexed or not. Feels like it makes sense, but...need to watch bits of it again.

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Post #227 - 31 Dec 2020, 07:26

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Sequel to the Godfather in which Michael Corleone, having assumed control of his family, murders nearly everyone he's ever met with hilarious consequences.
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Post #228 - 01 Jan 2021, 15:26

“A” Carry on Film.
Behind or Camping.
I’ve seen them both a lot in the past week and they’re getting a bit merged together at this point.

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:drool:
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Post #229 - 14 Jan 2021, 12:46

Poultrygeist.

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Bloody hell.

2 minutes before the first supernatural stuff, 2 minutes of rapid build-up: then the chicken comes in the window and grabs the kid and we have 90 minutes of loud ass (Ron Jeremy), screams and FX. A proper horror film with hilarious consequences. :)

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Post #230 - 14 Jan 2021, 15:08

Based on the immortal album by the late Hasil Adkins "Poultry In Motion."
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Post #231 - 15 Jan 2021, 23:35

I've just watched The Uncanny. It was really good. :)

Wish Routemaster could be trapped alone in a house where he's torn apart by cats. :radged:

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Post #232 - 29 Jan 2021, 01:44

Watching 'Gorgo', a monster film from 1961.

It's really good.

But a Routemaster bus appeared in it at one time, reminded me of the cunt.

Wish Gorgo would attack Routemaster. :angry:

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Off to Teesside you go, Gorgo!! :radged:

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Post #233 - 07 Feb 2021, 16:09

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Jake Gyllenhaal pushes the boundaries of prostitute chasing with hilarious consequences. :heart:
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Post #234 - 14 Feb 2021, 20:23

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Very disappointing. :cry2:
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Post #235 - 14 Feb 2021, 21:10

couldn't they afford younger actors?
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Post #236 - 27 Feb 2021, 17:02

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Don't think I have seen it all the way through since around 1978, when I caught it as a Midnight Feature at the Pink Pussy Mini Cinema on Long Island. A club where I used to review porn shows regularly in the late '90s, used to play snippets of this on the video screen between sets.

It was definitely a picture before its time. If it were released today, I suspect that Tim Curry would be considered a shoe-in for a "Best Actor" Oscar nomination . . .back then though we didn't care for poofs dressing up in women's underwear, so he was a brave fellow to go prancing about in make-up like a girl.

Wonder how Susan Sarandon feels about it all these years on . . . she is certainly a SERIOUS ACTRESS, so the fact that she spends most of the flick in her undergarments, breasts heaving. . . well it just sets me and Mrs Juicy up for a good impregnating session every time.

I enjoyed it, at bottom line. Best bits for me are Meatloaf getting murdered with an axe in the freezer, the fat cunt deserved it, and Little Nell's tits falling out in the swimming pool finale. :) :)
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Post #237 - 27 Feb 2021, 17:41

JuicyEric » Sat Feb 27, 2021 5:02 pm wrote:Image

Wonder how Susan Sarandon feels about it all these years on . . . she is certainly a SERIOUS ACTRESS, so the fact that she spends most of the flick in her undergarments, breasts heaving. . . well it just sets me and Mrs Juicy up for a good impregnating session every time.


Saw dad :wanker2: excitedly watching some films she's been in, had a feeling it's not the only time she'd, erm, been a little exposed. As these 'expertly' :snigger: covered up pics attest.

Mod note: Vile image of Susan Sarandon in a state of undress removed.

Dan


:zipped:
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Post #238 - 27 Feb 2021, 19:56

Sonofsmegma » Sat Feb 27, 2021 5:41 pm wrote:
JuicyEric » Sat Feb 27, 2021 5:02 pm wrote:Image

Wonder how Susan Sarandon feels about it all these years on . . . she is certainly a SERIOUS ACTRESS, so the fact that she spends most of the flick in her undergarments, breasts heaving. . . well it just sets me and Mrs Juicy up for a good impregnating session every time.


Saw dad :wanker2: excitedly watching some films she's been in, had a feeling it's not the only time she'd, erm, been a little exposed. As these 'expertly' :snigger: covered up pics attest.

Mod note: Vile image of Susan Sarandon in a state of undress removed.

Dan


:zipped:

Sonofsmegma warned for posting sexist filth on my forum.

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Post #239 - 27 Feb 2021, 20:54

I thought you might do that.

The newspaper concerned had tried to edit them. :grin:
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Post #240 - 02 Mar 2021, 21:02

The World to Come
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Tedious, molasses-slow period piece about 2 carpet munching clam noshers who dine at the Y.
Set in the mid 19th century somewhere in yankee land, this dirge crawled to it's inevitable predictable end.
I would have spent a more exciting hour and 3/4 watching the pitch drop experiment.

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